MU Theatre program
March 2010
1117 Budapest, Kőrösy József u. 17. Tel.: 209 4014
March 2010
1117 Budapest, Kőrösy József u. 17. Tel.: 209 4014
3rd, 4th of March 20:00 p.m. DANCE
Wednesday, Thursday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
Duda Éva:
Lunatic
Lunatic
Performers, creators: Bora Gábor, Duda Éva, Grecsó Zoltán, Hámor József, Jónás Zsuzsa, Lázár Eszter, Mikó Dávid, Simkó Beatrix, Tuza Tamás
Lightning design: Kovács Gerzson Péter
Stage, costumes: Duda Éva
Composer: Kunert Péter, Liszt Ferenc
Choreography: Duda Éva
„It’s clear that to-day biological interests of the human being (only the stronger survives) and his moral claims (everyone has the right to live) have come into irresolvable conflict with each other - one of these two sides will certainly suffer a defeat. But while death of the biological creature could lead to extintion of the moral (human) personality, the end of the human moral - as we understand this conceptual category today - would not destroy the biological creature. But to speak plainly, who would have a mind to serve a mass at a place where he celebrated a mass once before” (Boskovitz Péter)
The stage of scientific development is getting that high that soon man would be able to produce artificially intelligent, fast, wise, vital entities who will leave him far behind and overpass him in anything. How shall the human beings cope with his own creatures, will they be able to enter into competition with them, how will our natural instincts, spirit and emotions confront each other? Is it a justified, timely step or is it an act „tempting God”. Predestination, natural process and evolution according to the laws or artificial intervention into the order of life?
With the support of: OKM, NKA, MU Theatre, Műhely Alapítvány, Bethlen Táncműhely
More information: www.dudaeva.hu
The stage of scientific development is getting that high that soon man would be able to produce artificially intelligent, fast, wise, vital entities who will leave him far behind and overpass him in anything. How shall the human beings cope with his own creatures, will they be able to enter into competition with them, how will our natural instincts, spirit and emotions confront each other? Is it a justified, timely step or is it an act „tempting God”. Predestination, natural process and evolution according to the laws or artificial intervention into the order of life?
With the support of: OKM, NKA, MU Theatre, Műhely Alapítvány, Bethlen Táncműhely
More information: www.dudaeva.hu
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6th Fidelio Tánc Est , 7th of March 20:00 p.m. DANCE
Saturday, Sunday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
PREMIĒRE
Juhász Kata Company
Lulu, or bad student is quizzed
.Lulu, or bad student is quizzed
Choreography, dance: Juhász Kata
Consultant: Lóky Tamás
Creative partners:
Music: Gergely Atilla
Costume: Nagy Fruzsina
Assistant director, dramaturgist: Varga Kata-Lina,
Observer: Rózsavölgyi Zsuzsanna
Production assistant: Lóky Tamás
„…I learn life not by school but by experience. But why there of all places? What do I learn at that very place? I learn how to know nothing. I learn how does it feel to be helpless, incompetent, powerless, ineffective. You’ll go through all this in after days, remember?
First.
Then l’lI learn what can be done with this, what to do then.
Or I’ll simply keep it in mind?
Even if you beat me up from sleep I’ll know it…
The most important decision of my life: I’m going to be a bad student.”
With the support of: OKM, NKA, SÍN Kulturális Központ, AULEA Alapítvány
First.
Then l’lI learn what can be done with this, what to do then.
Or I’ll simply keep it in mind?
Even if you beat me up from sleep I’ll know it…
The most important decision of my life: I’m going to be a bad student.”
With the support of: OKM, NKA, SÍN Kulturális Központ, AULEA Alapítvány
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10th, 11th of March 20:00 p.m. DANCE
Wednesday, Thursday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
Nagy Andrea: Silentium
Chamber-piece for three synchronic human solos
He was asked once:
–Tell me in one sentence what is it that you want.
And he replied:
–To find out what everyone knows. /Hamvas Béla: Unicorn/
Silentium is intimate and communal at once. Mute meditation, parable, protest and mind-experiment . Following in footsteps of Wenders, Hamvas and Baricco but not them alone.
–Tell me in one sentence what is it that you want.
And he replied:
–To find out what everyone knows. /Hamvas Béla: Unicorn/
Silentium is intimate and communal at once. Mute meditation, parable, protest and mind-experiment . Following in footsteps of Wenders, Hamvas and Baricco but not them alone.
Choreographist, dancer: Nagy Andrea
Celloist, impro: Kallai Nóra
Actor, artistic consultant: Michael Mehlmann
Supporting character: Babcsán Bence
Costume designer: Kasza Emese
Musical assistant: Maróti Emese
Lightning design, lightning: Vida Zoltán
Lyrics: Peter Handke: Song about childish life, SAID – A.K.K.E.Z.D.E.T.P.H.I.A.I.: Contract
Music: Medieval melodies, Jurgen Knieper: The dying of the bridge, The sky over Berlin, Glacial Valley, J. S. Bach: Saint Matthew Passion
Script: original contract for film
Production assistants: Szűcs Réka, Nagy Árpád
With the support of: Nemzeti Kulturális Alap, Oktatási és Kulturális Minisztérium, Sín Kulturális Központ, Artus, Műhely Alapítvány, Értékmegőrző Kortárs Művészeti Stúdió és Filmarchívum, Alibiteam.hu
Special thanks to Márton László for translation and to Stoney Cook for lightning guidance
Special thanks to Márton László for translation and to Stoney Cook for lightning guidance
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12th, 13th of March 20:00 p.m. DANCE
Friday, Saturday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
GERGYE KRISZTIÁN COMPANY
Satyre
– contemporary dance –
Satyre
– contemporary dance –
Re-interpretation of the Satyre etude presented in Trafo in 2005
Participants: Gresó Nikoletta, Virág Melinda, Gergye Krisztián,Tárnok Marica, Ágens
Music: Alfred Schnittke
Songs: Ágens
Costumes: Béres Móni
Lightning: Fogarasi Zoltán
Sound: Boudny Ferenc
Make-up, mask: Károlyi Balázs
Dramaturgist: Miklós Melánia
Production assistant: Trifonov Dóra
Visuals, choreography and direction by: Gergye Krisztián
„As to its origin the satyre is an imaginary creature of nature, a combination of god and the goat, an offspring of heart’s yearning after ancient, natural state of existence (…) it’s nor a product of the Christian neither of the harmonical, cultured Greek world – it’s deep-rooted in barbarous times. Savagery is denoted as vitality, liveliness, absolute enjoyment of life, lack of guilty conscience and morality and is reflected in powerful sex characterestics and emphatic sensuality. Satyre’s figure and character is appropriate to illustrate the peculiarity of body free from soul’s bondage in cultural context.” (Kimlei Katalin, Ellenfény)
Tárnok Marica was awarded Special Prize for her interpretation on the 15th Alternative Theatre’s Review in Debrecen.
With the support of: NKA, OKM
„As to its origin the satyre is an imaginary creature of nature, a combination of god and the goat, an offspring of heart’s yearning after ancient, natural state of existence (…) it’s nor a product of the Christian neither of the harmonical, cultured Greek world – it’s deep-rooted in barbarous times. Savagery is denoted as vitality, liveliness, absolute enjoyment of life, lack of guilty conscience and morality and is reflected in powerful sex characterestics and emphatic sensuality. Satyre’s figure and character is appropriate to illustrate the peculiarity of body free from soul’s bondage in cultural context.” (Kimlei Katalin, Ellenfény)
Tárnok Marica was awarded Special Prize for her interpretation on the 15th Alternative Theatre’s Review in Debrecen.
With the support of: NKA, OKM
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19th, 20th of March 20:00 p.m. THEATRE
Friday, Saturday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
The
Collective of Natural Disasters
presents:
Árvai György-Imre Zoltán-Márkos Albert:
JOM & TERRY VARIATIONS
2D-animal-musical
animal musical – contemporary literature – visual theatre
Collective of Natural Disasters
presents:
Árvai György-Imre Zoltán-Márkos Albert:
JOM & TERRY VARIATIONS
2D-animal-musical
animal musical – contemporary literature – visual theatre
Directed by: Árvai György
Performers: Ágens, Laborfalvy Soós Béla, Accord Quartet, Katona László and others
Lyrics: Imre Zoltán: adaptation from works of Erdős Virág, Filó Vera, Schein Gábor, Tasnádi István and others
Composer: Márkos Albert
Sound designer: PARABRYO
Video: Lenz Tünde, Korai Zsolt, Taskovics Éva, VJ Scaffland
Technical staff: Szirtes Attila, Belényesi Zoltán
Costumes: Szűcs Edit
Production manager: Kulcsár Viktória
Animal musical with living participants in contemporary context. Jom & Terry variations is a stage adaptation of a Tom and Jerry epizode recently found in depot – never shown before and prohibited from screens to the present. On the one hand. On the other Jom and Terry, cousins of Tom and Jerry come to Budapest to play the scenario written by contemporary Hungarian dramatists who were inspired by their figures on a two-dimension stage with projected animation and contemporary music accompaniment. What is more, interfering with public’s state of mind. Each night brings a different variation of Jom and Terry.
It’s up to us how we live! So let’s put some life into it!
No fear. No surprise. No hesitation. No doubt – JOM & TERRY!
With the support of: Trafó, Flórián Műhely, OKM, NKA, Budapest Főváros Önkormányzata, MU Theatre, Akku
www.artdisasters.com
It’s up to us how we live! So let’s put some life into it!
No fear. No surprise. No hesitation. No doubt – JOM & TERRY!
With the support of: Trafó, Flórián Műhely, OKM, NKA, Budapest Főváros Önkormányzata, MU Theatre, Akku
www.artdisasters.com
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21st of March 20:00 p.m. CONCERT
Sunday
Uniform ticket price: 2.000 HUF
BUDBUDĀS AT SOLSTICE
Nearly each member of the Budbudās (in Sanscrite „bubbles”) ensemle brings up new compositions on their concerts. They compose and perform but play and improvise at the same time.
The group having developed into big orchestra over years, sprung up in the midst of 90s within Tilos Radio (Radio Forbidden) on the initiative of cello-player Márkos Albert, a scholar of academican music and DJ-dean Titusz.
The orchestra is mostly represented by musicians and composers but a dj, a vj, a visual designer, a theatre director, an actor, a camera-man and a movie maker will also turn up amongst its members.
As to their definition of the genre it is neither experimental, nor contemporary, nor free jazz, nor jazz, nor hiphop, but very timely. For this reason the Budbudās is regarded as a curiosity on the Hungarian musical scene.
The group having developed into big orchestra over years, sprung up in the midst of 90s within Tilos Radio (Radio Forbidden) on the initiative of cello-player Márkos Albert, a scholar of academican music and DJ-dean Titusz.
The orchestra is mostly represented by musicians and composers but a dj, a vj, a visual designer, a theatre director, an actor, a camera-man and a movie maker will also turn up amongst its members.
As to their definition of the genre it is neither experimental, nor contemporary, nor free jazz, nor jazz, nor hiphop, but very timely. For this reason the Budbudās is regarded as a curiosity on the Hungarian musical scene.
Members:
Keszég László – MC
Busa István – MC
Grencsó István – wind-instruments
Ágoston Béla - wind-instruments
Hans van Vliet - wind-instruments
Márkos Albert – cello, orchestral leader
Szesztay Dávid – keyboard
Hajnóczy Csaba – guitar
Benkő Róbert – double bass
Jeszenszky György – drums
Hárságyi Péter – drums
Jávor Márk aka Mango – DJ
Nagy András – electronics
Cserhalmi Sára aka IrisLemonade – VJ
Vajna Balázs aka Lee Unflyable – VJ
Kovács Gábor – visuals, lightning
Németh Márton aka El Marcee – sound editor
Other former members, guest-performers, substituting members (far from completeness):
DJ Titusz, Tóth Szabolcs, DJ Bootsie, Dagadu Sena, Halmos András, Zsolt Feke, Zságer Balázs, Vályi Gábor aka Shuriken, Mozsik Tibor aka Keyser
DJ Titusz, Tóth Szabolcs, DJ Bootsie, Dagadu Sena, Halmos András, Zsolt Feke, Zságer Balázs, Vályi Gábor aka Shuriken, Mozsik Tibor aka Keyser
With the support of: Nemzeti Kulturális Alap Zenei Kollégium, MU Theatre
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22nd of March 20:00 p.m. DANCE
Monday
Ticket price: 1.800 HUF
Student ticket: 1.000 HUF
The Symptoms:
You Are Being So Strange Today
You Are Being So Strange Today
Directed by: Réka Szabó
Dancer: Zsófia Tamara Vadas
Musician: Hunor G. Szabó
Visual design: Kiégő Izzók
Special thanks to: Michaela Pein
A hard-hitting visual team, a twisted noisemaker-musician, and a dancer with a weight problem ponder the question of: How to be one’s own shadow?
"The quasi-solo piece entitled You Are So Strange Today is a worthy sequel to Szabó's recent work that has been persistently self-ironic and keen on holding up a distorting mirror to the world." (szinhaz.hu)
An improvising duet composed for a dancer and a noisist, You Are Being So Strange Today has been invited for performances at such distinguished venues as the Nu Dance Festival in Bratislava, the Vasarely Museum in Budapest, and the Museum of Fine Arts, also of Budapest.
"The quasi-solo piece entitled You Are So Strange Today is a worthy sequel to Szabó's recent work that has been persistently self-ironic and keen on holding up a distorting mirror to the world." (szinhaz.hu)
An improvising duet composed for a dancer and a noisist, You Are Being So Strange Today has been invited for performances at such distinguished venues as the Nu Dance Festival in Bratislava, the Vasarely Museum in Budapest, and the Museum of Fine Arts, also of Budapest.
With the support of: L1 DanceLab, OKM, Marland KFT, tancelet.hu, szinhaz.hu
Media support: FidelioEst
The Symptoms: Clearing the Attic
- a study in motion and psyche -
Directed by: Réka Szabó
Coreography, dance: Réka Szabó
Music: dj Mangó, Albert Márkos, Márton Németh - Eastend Studio
Lightning: Gerzson Péter Kovács
Text: Ádám Petri Lukács, Réka Szabó
Costumes: Juristovszky Szosa
You can all stay home, for all I care. I don't want to be nice. I've got nothing in my hands, not even kind words, to lure you to this place.
All I've got is this great yearning in my heart to get rid of all this junk, all the building blocks of my deliberately sheltered existence.
We hoard our junk-heap within us, carrying it about with mounting weariness, fumbling miserably among the wreckage of our lives.
„Hungarian contemporary dance recently gave birth to a new genre we might call singles ballet. Although the athletic figure enacted by choreographer-performer Réka Szabó could be the envy of the slightly overweight Bridget Jones, the two have so much in common in terms of their fate and innermost qualities that they would surely understand each other on the subject of clearing one’s spiritual attic, without the help of an interpreter. This is because Szabó is an accomplished interpreter of sorts herself, doing a superb job translating verbal messages into motion, and vice versa.” (Csaba Kutszegi, Magyar Hírlap)
The piece garnered an award at the 2007 Budapest Fringe Festival, and has been invited for performances at such noted events as the Bratislava in Movement and the Ars Poetica Festival, both held in Slovakia.
With the support of: L1 Independent Dancers' Partnership, NKA, Committee of the Budapest City General Assembly, Marland KHUF., szinhaz.hu, tancelet.hu
Media support: FidelioEst
All I've got is this great yearning in my heart to get rid of all this junk, all the building blocks of my deliberately sheltered existence.
We hoard our junk-heap within us, carrying it about with mounting weariness, fumbling miserably among the wreckage of our lives.
„Hungarian contemporary dance recently gave birth to a new genre we might call singles ballet. Although the athletic figure enacted by choreographer-performer Réka Szabó could be the envy of the slightly overweight Bridget Jones, the two have so much in common in terms of their fate and innermost qualities that they would surely understand each other on the subject of clearing one’s spiritual attic, without the help of an interpreter. This is because Szabó is an accomplished interpreter of sorts herself, doing a superb job translating verbal messages into motion, and vice versa.” (Csaba Kutszegi, Magyar Hírlap)
The piece garnered an award at the 2007 Budapest Fringe Festival, and has been invited for performances at such noted events as the Bratislava in Movement and the Ars Poetica Festival, both held in Slovakia.
With the support of: L1 Independent Dancers' Partnership, NKA, Committee of the Budapest City General Assembly, Marland KHUF., szinhaz.hu, tancelet.hu
Media support: FidelioEst
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25th of March 20:00 p.m. THEATRE
Thursday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
Pont(y) Műhely:
Cottage
Chink in one part
Cottage
Chink in one part
Participants: Enyedi Éva, Pereszlényi Erika, Keszég László, Vicei Zsolt
Music: Márkos Albert, Szesztai Dávid
Dress: Sinkovits Judit
Video: Mészáros Péter
Lightning: Payer Ferenc
Many thanks to Zságer - Varga Ákos, Leszták Tibor, Dirscherl Krisztián, Fábián Gábor
Directed by: Keszég László
„…hello, I was born a little while ago, to the only pleasure of my family, and I was pampered to my only pleasure, I eat and drink and sleep and play a lot, and mummy changes the diaper when my paunch is empty, this is why you might not notice that when the shiny sky hides and appears on the other side of the Earth, then feast-day comes for gang of thieves and all crime is permissible…”
With the support of: MU, NKA
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26th, 27th of March 20:00 p.m. THEATRE
Friday, Saturday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
Venue: rehearsals room
PREMIĒRE
Shivers
Written by: Alice Müller, Bánki Gergő, Juhász Kristóf
Directed by: Baksa Imre
Participants: Bernáth Gábor, Kövesdi László, Száger Zsuzsanna, Urbanovits Krisztina
„I find eating a shoelace definitely humorous and exciting while making a god of money is sadly and hopelessly boring and disgusting. This is what I think of what you just wanted to say” (from the piece)
With the support of: NKA Színházi Szakmai Kollégium, Fővárosi Önkormányzat Kulturális Bizottsága , OKM, MU Theatre, EJI
Media support: Fidelio
„I find eating a shoelace definitely humorous and exciting while making a god of money is sadly and hopelessly boring and disgusting. This is what I think of what you just wanted to say” (from the piece)
With the support of: NKA Színházi Szakmai Kollégium, Fővárosi Önkormányzat Kulturális Bizottsága , OKM, MU Theatre, EJI
Media support: Fidelio
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28th of March 20:00 p.m. CONCERT
Sunday
Uniform ticket price: 2.000 HUF
Nikola Parov Quartet and Herczku Ágnes
Herczku Ágnes – songs
Fodo – percussion, keyboards
Wertetics Szlobodan – harmonica
Nikola - buzuki, guitars, gadulka, kaval, gayda
The well-known and internationally acknowledged musician Nikola Parov is a prominent, dynamic representative of world-music and ethno-contemporary musical schools.
From 2000 inspired by the Hungarian folk-music and folk-songs of the Carpathian basin he has been working with the most talented Hungarian singers, Herczku Ágnes, Szalóki Ági, Bognár Szilvi and has been giving concerts in Hungary and abroad.
Media support: Budapest Rádió
With the support of: Tom-Tom Records
From 2000 inspired by the Hungarian folk-music and folk-songs of the Carpathian basin he has been working with the most talented Hungarian singers, Herczku Ágnes, Szalóki Ági, Bognár Szilvi and has been giving concerts in Hungary and abroad.
Media support: Budapest Rádió
With the support of: Tom-Tom Records
www.nikola.hu
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30th, 31st of March 20:00 p.m . DANCE
Tuesday, Wednesday
Ticket price: 1.600 HUF
Student ticket: 1.000 HUF
PREMIĒRE
Mándy Ildikó Company
H.
(Hamlet again?)
Free adaptation of Shakespeare, again
H.
(Hamlet again?)
Free adaptation of Shakespeare, again
Visual theatre with physical effects
Directed by: Mándy Ildikó
Creators-participants: Madák Zsuzsanna, Mándy Ildikó, Barsi Márton, Fenyves Márk,
Fogarasi Gergely
Costume designer: Szűcs Edit
Make-up: Halma Ágnes
Lightning design: Payer Ferenc
Sound: Kondás Zoltán
Music: XMO-DG-MI
Production manager: Földes Fanni
MIFOMWSH5 production
„It is impossible to enact Hamlet for it would take nearly six hours. Only one of piece-inspired potential Hamlets can be put on stage. This very Hamlet certainly will be much more poor than the one of Shakespeare but it might be richer in experiments of today’s world. Many generations recognized to have similar features to Hamlet. That’s why we might call Hamlet a work of genius : one can look at oneself like in a mirror” (Jan Kott Polish literary historan, critic, essay-writer)
A Hamletben sok-sok nemzedék fedezte fel a saját vonásait.
Hamlet is the third episode of Shakespeare tetralogy following the (Ladies) Macbeth premièred in 2008 and RandJ (Romeo and Juliet) premièred in 2009.
With the support of: OKM - Oktatási és Kulturális Minisztérium, NKA - Nemzeti Kulturális Alap, Fővárosi Önkormányzat Kulturális Bizottsága, Kontakt Táncért Alapítvány, Orkesztika Alapítvány - Mozdulatművészeti Stúdió
A Hamletben sok-sok nemzedék fedezte fel a saját vonásait.
Hamlet is the third episode of Shakespeare tetralogy following the (Ladies) Macbeth premièred in 2008 and RandJ (Romeo and Juliet) premièred in 2009.
With the support of: OKM - Oktatási és Kulturális Minisztérium, NKA - Nemzeti Kulturális Alap, Fővárosi Önkormányzat Kulturális Bizottsága, Kontakt Táncért Alapítvány, Orkesztika Alapítvány - Mozdulatművészeti Stúdió
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MU Theatre – entrance hall
15th of March 15:00 p.m. THEATRE
Monday
Ticket price: 600 HUF
Terra Incognita (Part 2)- The Netherlands
Theatrical serial Terra Incognita invites public for a virtual journey. Each part is devoted to a country. This time we present the Netherlands – how we see it.
Creators: Bánki Gergő, Koblicska Lőte, Láng Annamária, Róbert Júlia, Sárosdi Lilla
A peculiar record is associated with Charles Darwin Irish pastor: he was the first – and he still might be the one and only person – who managed to travel all over the world (name identity with world famous scientist who set up the theory of evolution is simply a freak of fortune). This is how Darwin recalls the year of 1898: ”In those days everyone talked of the record albeit I didn’t mean to achieve a record. All I wanted is to apprehend the Earth, this wonderful product of God, in its infinite perfection, as God created it. Did I succeed? Sad to say but not at all. It took me 36 years and after I had visited all the places and there was no pIace left to go, well, then I felt I hadn’t been anywhere at all actually. I wanted to know everything and I got to know nothing. I wanted to embrace the whole universe and I didn’t manage to catch a piece of it.
God has shown me that we are too small and our mind is uncapable of receiving his complete product entirely. It’s only pieces we can get and we must be happy with these pieces, we must discover them. And then we can say that we really got to know somehing. One gets less, the other gets more. The rest remains an eternal secret for us. A wonderful secret of God, Terra Incognita…”
By the way Darwin died in 1910, he was kicked by a donkey in the market of Belfast.
Creators: Bánki Gergő, Koblicska Lőte, Láng Annamária, Róbert Júlia, Sárosdi Lilla
A peculiar record is associated with Charles Darwin Irish pastor: he was the first – and he still might be the one and only person – who managed to travel all over the world (name identity with world famous scientist who set up the theory of evolution is simply a freak of fortune). This is how Darwin recalls the year of 1898: ”In those days everyone talked of the record albeit I didn’t mean to achieve a record. All I wanted is to apprehend the Earth, this wonderful product of God, in its infinite perfection, as God created it. Did I succeed? Sad to say but not at all. It took me 36 years and after I had visited all the places and there was no pIace left to go, well, then I felt I hadn’t been anywhere at all actually. I wanted to know everything and I got to know nothing. I wanted to embrace the whole universe and I didn’t manage to catch a piece of it.
God has shown me that we are too small and our mind is uncapable of receiving his complete product entirely. It’s only pieces we can get and we must be happy with these pieces, we must discover them. And then we can say that we really got to know somehing. One gets less, the other gets more. The rest remains an eternal secret for us. A wonderful secret of God, Terra Incognita…”
By the way Darwin died in 1910, he was kicked by a donkey in the market of Belfast.
With the support of: MU Theatre
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16th of March 20:00 p.m. THE ATRE
Tuesday
Ticket price: 1.600 HUFTuesday
Student ticket: 1.000 HUF
Neptune Brigade:
SERGI BELBEL: TOSCANA
- commedia della morte -
SERGI BELBEL: TOSCANA
- commedia della morte -
Translated by: Bakucz Dóra
Marc – Huszár Zsolt
Johanna – Szabó Márta
Bruno – Kövesdi László
Marta – Cseh Judit
Costume consultant: Kovács Andrea
Dramaturgists: Duró Gábor, Deme László
Music: Barna Balázs
Production manager: Gáspár Anna
Co-director: Lippai Kriszta
Directed by: Baksa Imre
„Something must have happened to them in Toscana, at least to Marc definitely…When you’ve got almost everything you need, and you think you’re in the top, it’s terribly frightful at the same time – for you have plenty of time to think: where do I come from? Where I am now? Which way I am going? And after all: what’s the meaning of my life? Is it worth carrying on? What if I put and end to all this?” (Bruno)
Sergi Belbel’s new piece goes into the details of compound emotive aspects of relations again. For this once the Catalan author doesn’t confine himself to unmask suppressed spiritual levels but investigates reality in a surrealistic farce. What is a result of the deranged mind and what is real? How can Marc sit over his beer in a bar after having been shot in the head? Who keeps sending messages to Joanna? What does Bruno advise from beyond the grave? Neptune Brigade tells about these and about our day-to-day anxieties, whilst a mysterious telephone clanks now and again.
With the support of: OKM, NKA, SÍN, Szputnyik Hajózási Társaság, MU Theatre, Színész Szakszervezet
Sergi Belbel’s new piece goes into the details of compound emotive aspects of relations again. For this once the Catalan author doesn’t confine himself to unmask suppressed spiritual levels but investigates reality in a surrealistic farce. What is a result of the deranged mind and what is real? How can Marc sit over his beer in a bar after having been shot in the head? Who keeps sending messages to Joanna? What does Bruno advise from beyond the grave? Neptune Brigade tells about these and about our day-to-day anxieties, whilst a mysterious telephone clanks now and again.
With the support of: OKM, NKA, SÍN, Szputnyik Hajózási Társaság, MU Theatre, Színész Szakszervezet
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MU Theatre – Szputnyik Company
7th, 28th, 30th of March 19:00 p.m. THEATRE
Sunday, Sunday, Tuesday
Performance is not recommended under age of 16!
Uniform ticket price: 2000 HUF
Szputnyik Shipping Company
– Modern Theatre and Behaviour Research Institute – Lab:
Game of dice
– Modern Theatre and Behaviour Research Institute – Lab:
Game of dice
Vinnai, Turai, Róbert, Bodó: Game of dice
Adaptation from Luke Rhinehart’s novel
Cult novel of the seventies
Performers: Fábián Gábor, Gazsó György, Gyabronka József, Hay Anna, Jankovics Péter, Koblicska Lőte, Lajkó Bence, Molnár Gusztáv, Réti Anna, Szabó Zoltán, Székely Rozi, Terhes Sándor, Téby Zita, Tóth Simon Ferenc
Dramaturgists: Róbert Júlia, Turai Tamás
Costumes: Kovács Andrea
Music: Keresztes Gábor
Photo-video: Tóth Simon Ferenc
Assistant director: Varsányi Kristóf
Production manager: Tóth Péter
Director: Bodó Viktor
„Life is made up of extasy-islands scattered about in the sea of boredom, and we see very little of shore over thirty”
Luke Rhinehart, the acknowledged psychiatrist one day realizes that he’s fallen into captivity of routinish everydays and has been carried away by mechanical roles. He is sick and tired of it and decides to break away from all and to leave his fortune to chance. To be more exact, to dice. He excercises various options as to what roles and how he will play. There is no turning back from the day of first „Big throw’: he is increasingly possessed by the dice and his life turns to an unpredicable and wayward chaos.
www.szputnyik.com
With the support of: OKM, EJI, Fővárosi Közgyűlés Kulturális Bizottsága
Luke Rhinehart, the acknowledged psychiatrist one day realizes that he’s fallen into captivity of routinish everydays and has been carried away by mechanical roles. He is sick and tired of it and decides to break away from all and to leave his fortune to chance. To be more exact, to dice. He excercises various options as to what roles and how he will play. There is no turning back from the day of first „Big throw’: he is increasingly possessed by the dice and his life turns to an unpredicable and wayward chaos.
www.szputnyik.com
With the support of: OKM, EJI, Fővárosi Közgyűlés Kulturális Bizottsága
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Other programs:
22nd of February – 7th of March 2010: Drazen Sivak’s workshop
More information: www.mu.hu